Children of the Dusty Plums

the tiniest children come for the plums
begging for what they can’t reach
plum brave they ring the bell again and again
I’ve not met these eyes ablaze,
these sweet dreams, these juicy hearts.
asking me to the front lawn
they make themselves understood
pointing to dark hidden gems amongst the leaves
how did I not see these before?
when did fruit blindness set in?
4 for 4 leaves them satisfied
I suggest washing them back home
but it’s too late
and what’s a little dust anyway?
surely a simple and necessary inoculation
against something
probably adult onset fruit blindness

Black & white…

Originally posted on Living with a damaged skull:

                                        

               “Color is everything,

                                          black and white is more.  

      

                                                                    ~`~ Dorninie Rouse

_POP1904-bw copy

                  “To see in color is a delight for the eye    

                          but to see in black and white is a      

           …

View original 859 more words

Messenger by Mary Oliver


My work is loving the world.
Here the sunflowers, there the hummingbird--
  equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still not half-perfect? Let me
  keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
  astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
  and these body-clothes,
a mouth with which to give shouts of joy
  to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
  that we live forever.


From the book Thirst

Act of Union by Seamus Heaney

I

To-night, a first movement, a pulse,
As if the rain in bogland gathered head
To slip and flood: a bog-burst,
A gash breaking open the ferny bed.
Your back is a firm line of eastern coast
And arms and legs are thrown
Beyond your gradual hills. I caress
The heaving province where our past has grown.
I am the tall kingdom over your shoulder
That you would neither cajole nor ignore.
Conquest is a lie. I grow older
Conceding your half-independent shore
Within whose borders now my legacy
Culminates inexorably.

II

And I am still imperially
Male, leaving you with the pain,
The rending process in the colony,
The battering ram, the boom burst from within.
The act sprouted an obstinate fifth column
Whose stance is growing unilateral.
His heart beneath your heart is a wardrum
Mustering force. His parasitical
And ignorant little fists already
Beat at your borders and I know they’re cocked
At me across the water. No treaty
I forsee will salve completely your tracked
And stretchmarked body, the big pain
That leaves you raw, like opened ground, again.


http://en.wikipedia.org/wiki/Seamus_Heaney

Seamus Heaney

A friend of mine, knowing I like poetry, gifted me a small book recovered from a garage sale the other day. The author is Seamus Heaney. I have never heard of him. The book is entitled North.

I prefer to NOT look up background on a poet before reading their work initially. I don’t want to be prejudiced one way or another by the accolades they have or haven’t received. I don’t want to know if they are obscure and unknown, or whether they have received high praise from academic circles. I guess I want to experience their work through my own lens before considering other people’s view.

I randomly opened the book and was immediately drawn in. I later told my friend that I don’t know immediately who to compare him to, other than Shakespeare. I’ll have to give in and look him up at some point. Meanwhile here is an opening stanza to one of his poems. I don’t understand or like the 2nd stanza, but I can’t get the first out of my head:

He courted her
With a decadent sweet art
Like the wind’s vowel
Blowing through the hazels:

If you want to read the 2nd stanza the poem is titled Aisling.

This stanza is completely light compared to the darkness, overall, of the rest of the pieces in the book, which seem to be describing the recovery of bodies dumped in a bog, in Ireland, presumably during the course of war.

I will take it all in, make my guesses toward understanding and then look up more about the book and author online.

To me it is an impressive piece of writing. What a great discovery from a garage sale! Wow.

I will probably transcribe one of the other pieces from the book and post it here at some point in the near future. (for the record)

Corsens Inlet by A.R. Ammons

I went for a walk over the dunes again this morning
to the sea,
then turned right along
   the surf
                         rounded a naked headland
                         and returned

   along the inlet shore:

it was muggy sunny, the wind from the sea steady and high,   
crisp in the running sand,
       some breakthroughs of sun
   but after a bit

continuous overcast:

the walk liberating, I was released from forms,   
from the perpendiculars,
      straight lines, blocks, boxes, binds
of thought
into the hues, shadings, rises, flowing bends and blends   
               of sight:

                         I allow myself eddies of meaning:   
yield to a direction of significance
running
like a stream through the geography of my work:   
   you can find
in my sayings
                         swerves of action
                         like the inlet’s cutting edge:
               there are dunes of motion,
organizations of grass, white sandy paths of remembrance   
in the overall wandering of mirroring mind:
but Overall is beyond me: is the sum of these events
I cannot draw, the ledger I cannot keep, the accounting
beyond the account:

in nature there are few sharp lines: there are areas of   
primrose
       more or less dispersed;
disorderly orders of bayberry; between the rows
of dunes,
irregular swamps of reeds,
though not reeds alone, but grass, bayberry, yarrow, all ...
predominantly reeds:

I have reached no conclusions, have erected no boundaries,   
shutting out and shutting in, separating inside
          from outside: I have
          drawn no lines:
          as

manifold events of sand
change the dune’s shape that will not be the same shape   
tomorrow,

so I am willing to go along, to accept   
the becoming
thought, to stake off no beginnings or ends, establish   
         no walls:

by transitions the land falls from grassy dunes to creek   
to undercreek: but there are no lines, though
       change in that transition is clear
       as any sharpness: but “sharpness” spread out,   
allowed to occur over a wider range
than mental lines can keep:

the moon was full last night: today, low tide was low:   
black shoals of mussels exposed to the risk
of air
and, earlier, of sun,
waved in and out with the waterline, waterline inexact,   
caught always in the event of change:   
       a young mottled gull stood free on the shoals
       and ate
to vomiting: another gull, squawking possession, cracked a crab,   
picked out the entrails, swallowed the soft-shelled legs, a ruddy
turnstone running in to snatch leftover bits:

risk is full: every living thing in
siege: the demand is life, to keep life: the small
white blacklegged egret, how beautiful, quietly stalks and spears
               the shallows, darts to shore
                            to stab—what? I couldn’t
       see against the black mudflats—a frightened
       fiddler crab?

               the news to my left over the dunes and
reeds and bayberry clumps was
               fall: thousands of tree swallows
               gathering for flight:
               an order held
               in constant change: a congregation
rich with entropy: nevertheless, separable, noticeable
          as one event,
                      not chaos: preparations for
flight from winter,
cheet, cheet, cheet, cheet, wings rifling the green clumps,
beaks
at the bayberries
    a perception full of wind, flight, curve,
    sound:
    the possibility of rule as the sum of rulelessness:
the “field” of action
with moving, incalculable center:

in the smaller view, order tight with shape:
blue tiny flowers on a leafless weed: carapace of crab:
snail shell:
            pulsations of order
            in the bellies of minnows: orders swallowed,   
broken down, transferred through membranes
to strengthen larger orders: but in the large view, no
lines or changeless shapes: the working in and out, together   
            and against, of millions of events: this,
                         so that I make
                         no form of
                         formlessness:

orders as summaries, as outcomes of actions override   
or in some way result, not predictably (seeing me gain   
the top of a dune,
the swallows
could take flight—some other fields of bayberry   
            could enter fall
            berryless) and there is serenity:

            no arranged terror: no forcing of image, plan,
or thought:
no propaganda, no humbling of reality to precept:

terror pervades but is not arranged, all possibilities   
of escape open: no route shut, except in   
   the sudden loss of all routes:

            I see narrow orders, limited tightness, but will   
not run to that easy victory:
            still around the looser, wider forces work:
            I will try
       to fasten into order enlarging grasps of disorder, widening   
scope, but enjoying the freedom that
Scope eludes my grasp, that there is no finality of vision,   
that I have perceived nothing completely,
that tomorrow a new walk is a new walk.